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LEWIS, M. (2006) Is Modernity our Antiquity?
Afterall: A Journal of Art, Context and Enquiry. 14 (Autumn/Winter) pp. 109-117
SANTNER, E. L. (1992) The Trouble with Hitler: Postwar German Aesthetics and the Legacy of Fascism.
New German Critique. 57 (Autumn) pp. 5-24
KRACAUER, S. (1993) Photography.
Critical Inquiry. 19 (Spring) pp. 421-436
KOCH, G. (1992) The Richter-Scale of Blur.
October. 62 (Winter) pp. 133-142
HERRERO-MATOSES F. & KAPLAN, B. A. (2014) Holocaust Postmemory: W. G. Sebald and Gerhard Richter.
In: Adams, J. (ed). The Bloomsbury Companion to Holocaust Literature. London: Bloomsbury Academic.
BUCHLOH, B. (1996) 'Divided Memory and Post-Traditional Identity: Gerhard Richter's Work of Mourning'.
October. 75 (Winter) pp. 60-82
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Film Quarterly. 13 (4) pp. 4-9
SALTZMAN, L. (2005) 'Gerhard Richter's Stations of the Cross: On Martyrdom and Memory in Postwar German Art'.
Oxford Art Journal. 28 (1) pp. 27-44
GIBBONS, J. (2007) Postmemory: ‘The Ones Born Afterwards’.
In: Gibbons, J. Contemporary Art and Memory: Images of Recollection and Remembrance. London: I.B.Tauris & Co Ltd.
GIBBONS, J. (2007) Revisions: The Reassembling of ‘History’.
In: Gibbons, J. Contemporary Art and Memory: Images of Recollection and Remembrance. London: I.B.Tauris & Co Ltd.
KULIK, I. (2019) Marlene Dumas - Luc Tuymans.
[Online Video]. December 18th. Available from: https://youtu.be/LVHrhwLWNJo. [Accessed: 26th February 2021].
GIBBONS, J. (2007) Traces: Memory and Indexicality.
In: Gibbons, J. Contemporary Art and Memory: Images of Recollection and Remembrance. London: I.B.Tauris & Co Ltd.
STEPANOVA, M. (2018). In Memory of Memory.
New York: New Directions Publishing.
GIBBONS, J. (2007) Autobiography: The Externalisation of Personal Memory.
In: Gibbons, J. Contemporary Art and Memory: Images of Recollection and Remembrance. London: I.B.Tauris & Co Ltd.
KRAUSS, R. (1999). 'Reinventing the Medium.' Critical Inquiry.
25 (2). p.289
THE STATE RUSSIAN MUSEUM AND EXHIBITION CENTRE ROSPHOTO. (2013) Identification, storage and conservation of photographic prints.
Saint-Petersburg: Federal State Cultural institution "The State Russian Museum and Exhibition Centre ROSPHOTO".
FAURSCHOU FOUNDATION. (2017). Peter Doig - Cabins and Canoes.
Beijing: Faurschou Foundation.
MOROZ, O. (2021). How do we work with the Past?
[Online Video] February 12th 2021. Available from: https://www.youtube.com/watch?v=7ZqQzB9WT34 [Accessed: 15th February 2021]
BARTHES, R. (1981). Camera Lucida.
New York : Hill and Wang.
HARPER, A. (2009) Hauntology: The Past Inside The Present
[Online] February 10th 2021. Available from: Blogspot.com http://rougesfoam.blogspot.com/2009/10/hauntology-past-inside-present.html [Accessed: February 10th 2021]
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