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KRACAUER, S. (1993) Photography.
Critical Inquiry. 19 (Spring) pp. 421-436
KOCH, G. (1992) The Richter-Scale of Blur.
October. 62 (Winter) pp. 133-142
MARINARI, E. (2020) This was 1950, Nr1.
[Pastel, spray paint and ink on paper mounted on panel], 40 cm × 30 cm. [Online] Available at: https://elianamarinari.com/portfolio/a-familiar-stranger [Accessed: 15 April 2021]
TZUGAEV, Z. (2021) Mother's Portrait.
Garage Museum, Moscow.
HERRERO-MATOSES F. & KAPLAN, B. A. (2014) Holocaust Postmemory: W. G. Sebald and Gerhard Richter.
In: Adams, J. (ed). The Bloomsbury Companion to Holocaust Literature. London: Bloomsbury Academic.
BUCHLOH, B. (1996) 'Divided Memory and Post-Traditional Identity: Gerhard Richter's Work of Mourning'.
October. 75 (Winter) pp. 60-82
BAZIN, A. (1960) 'The Ontology of the Photographic Image.'
Film Quarterly. 13 (4) pp. 4-9
MATEVOSYAN, L. (2017). You look just like your mother.
[Online] Available at: https://lilithmatevosyan.com/youlookjustlikeyourmother [Accessed: 31 March 2021]
RICHTER, G. (1965). Uncle Rudi.
[Oil on canvas], 87 cm x 50 cm. [Online] Available at: https://www.gerhard-richter.com/en/art/paintings/photo-paintings/death-9/uncle-rudi-5595 [Accessed: 31 March 2021]
SALTZMAN, L. (2005) 'Gerhard Richter's Stations of the Cross: On Martyrdom and Memory in Postwar German Art'.
Oxford Art Journal. 28 (1) pp. 27-44
INVOKER, E. (2021). Mother. Unfinished Portrait.
[Canvas, acrylic], 180x160 cm, [Online] Available at: https://www.instagram.com/p/CL1znHnn6IA/ [Accessed: 17 March 2021]
GIBBONS, J. (2007) Revisions: The Reassembling of ‘History’.
In: Gibbons, J. Contemporary Art and Memory: Images of Recollection and Remembrance. London: I.B.Tauris & Co Ltd.
KULIK, I. (2019) Marlene Dumas - Luc Tuymans.
[Online Video]. December 18th. Available from: https://youtu.be/LVHrhwLWNJo. [Accessed: 26th February 2021].
GIBBONS, J. (2007) Traces: Memory and Indexicality.
In: Gibbons, J. Contemporary Art and Memory: Images of Recollection and Remembrance. London: I.B.Tauris & Co Ltd.
KRAUSS, R. (1999). 'Reinventing the Medium.' Critical Inquiry.
25 (2). p.289
THE STATE RUSSIAN MUSEUM AND EXHIBITION CENTRE ROSPHOTO. (2013) Identification, storage and conservation of photographic prints.
Saint-Petersburg: Federal State Cultural institution "The State Russian Museum and Exhibition Centre ROSPHOTO".
ELUKOV, I. (2020). Book of Miracles.
[Online] Available at: https://www.calvertjournal.com/features/show/12315/new-east-photo-prize-igor-elukov-floods-miracles-magic-russia-far-north [Accessed: 17 February 2021]
TITOVA, M. (2020). Trekking via Onega Peninsula, Summer 2014.
[Paper, carbon paper] [Online] Available at: https://www.instagram.com/p/B__rv5tCysM/ [Accessed: 16 February 2021]
DANIEL, G. (2019). Portrait.
[Color photoetching printed on 6 overlayed papers], 25,50 x 33 cm (paper size: 40 x 30 cm). [Online] Available at: https://www.onpapercontest.com/portfolio-item/daniel-geraldine/ [Accessed: February 12th 2021]
SUZUKI, M. (2017). The Restoration Will.
[Online] Available at: https://www.lensculture.com/articles/mayumi-suzuki-the-restoration-will [Accessed: 14 February 2021]
TKACHENKO, D. (2017). Monuments.
[Online] Available at: https://www.danilatkachenko.com/projects/monuments/ [Accessed February 10th 2021]
TKACHENKO, D. (2017). Motherland.
[Online] Available at: https://www.danilatkachenko.com/projects/motherland/ [Accessed February 10th 2021]
BARTHES, R. (1981). Camera Lucida.
New York : Hill and Wang.
RICHTER, G. (1988). Dead.
[Oil on canvas], 62 cm x 67 cm / 62 cm x 62 cm / 35 cm x 40 cm. [Online] Available at: https://www.gerhard-richter.com/en/art/paintings/photo-paintings/baader-meinhof-56 [Accessed: 10 February 2021]
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